Prof Anne Freadman - publications
Recent publications and major works“A Couple of Cusps: Devices of Generic Self-Situation in a Piece by Colette”, in Charles Forsdick and Andy Stafford eds.,The Modern Essay in French: Movement, Instability, Performance, Brussels, New York, Oxford, Peter Lang, 2005 (135-154). “Representation”, in New Keywords: A Revised Vocabulary of Culture, edited by Tony Bennett, Lawrence Grossberg and Meaghan Morris, Malden MA, Oxford, Blackwell Publishing, 2005 (306-309). “Sign”, in New Keywords: A Revised Vocabulary of Culture, edited by Tony Bennett, Lawrence Grossberg and Meaghan Morris, Malden MA, Oxford, Blackwell Publishing, 2005 (321-324). Anne Freadman, The Machinery of Talk: Charles Peirce and the Sign Hypothesis, Stanford, Stanford University Press, 2004. Anne Freadman, “Eating Cultures”, in Consuming Cultures, John West-Sooby ed., University of Delaware Press, 2004 (Monash Romance Studies). Anne Freadman, “Uptake”, in The Rhetoric and Ideology of Genre: Strategies for Stability and Change, Richard Coe, Lorelei Lingard and Tatiana Teslenko eds, Cresskill, NJ: Hampton P, 2002, (ch.2, pp.39-53). Philip Anderson, Anne Freadman, Brian Nelson eds, Telling Performances: essays in memory of Marie Maclean, Delaware, University of Delaware Press, 2001. Anne Freadman, “Hair – and how to do it”, in Anderson, Freadman and Nelson eds., Telling Performances, see above (pp.185-236). Anne Freadman, “The Visit of the Instrument Maker”, in The Semiotics of Writing: transdisciplinary perspectives on the technology of writing, Patrick Coppock ed., vol. 10 of Semiotic and cognitive Studies, series editors Umberto Eco and Patrizia Violi, Bologna, Brepols, 2001 (183-204). Anne Freadman, “Feminist Literary Theory (A Question (or Two) About Genre)”, Paragraph, 19.1, (March 1996). (reprint of (chapters) 10 above). Anne Freadman, “Reflexions on Genre and Gender: the case of La Princesse de Clèves”, Australian Feminist Studies, vol.12, no.26, 1997, (305-320). Anne Freadman, “Models of genre for language teaching”, South Central Review, 15/1, (19-39) 1998. Anne Freadman, The Vagabond Sign: Reflections on an Example in Peirce’s Review of Schröder”, Mattoid, 52/53, 1998, (369-378). Anne Freadman, “The Green Tarpaulin: Another Story of the Ryan Hanging”, UTS Review, Vol 5, no 2, Nov.1999 (1-67). Anne Freadman, “Daddy’s Books”, Hecate, special issue on Simone de Beauvoir, 2000 (118-127). Anne Freadman, “The Culture Peddlers”, Postcolonial Studies, 4:3, November 2001 (275-296). Forthcoming worksColette misogyne? To Appear in: French Forum. The Invention of Genres”, Canadian Review of Comparative Literature. “The Sign Hypothesis”, VS/Versus. “A Couple of Cusps: Devices of Generic Self-Situation in a Piece by Colette”, Charles Forsdick and Andy Stafford (eds), The Essay, Peter Lang. “Breasts are Back!”, French Studies July 2006 50/ 3. Full bibliography |
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